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When she was 12, Lorna Simpson took part in a dance peformance at the Lincoln Centre in New York, dressed in a gold body suit and matching shoes. It was, she has recalled, "like performing from a black hole — I knew immediately it was not for me. What perturbed Simpson as she danced was the feeling that she would much rather be in the audience watching the spectacle. When her parents showed her some indistinct snapshots of her performance, that feeling was only heightened. But that was the last time she danced. An intriguing new show at the Baltic in Gateshead — Simpson's first and long overdue European retrospective — shows how the Brooklyn-based artist asks us to doubt and question everything we see. It's up to the viewer to make connections in her open-ended narratives.